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Database on admissions of films released in Europe
[European Audiovisual Observatory] [Presentation of the LUMIERE Database] [Other search]
Film Information
10 Cloverfield Lane (EN) [Original title]

Link to IMDb

Directors :
Dan Trachtenberg [IMDb Info]

Producing or Co-producing country : US
Production year : 2016
Admissions
Market Distributor Release date 2016 2017 Total since 2016
AT Universal Pictures (AT) 31/03/2016 24 248   24 248
BE Sony Pictures Releasing (BE) 16/03/2016 28 589   28 589
CH Universal Pictures (CH) 16/03/2016 22 776   22 776
CY Paramount (CY)   1 274   1 274
CZ CinemArt (CZ) 07/04/2016 12 718 131 12 849
DE Paramount (DE) 31/03/2016 191 755 125 191 880
DK UIP (DK) 10/03/2016 12 363   12 363
EE VaataFilmi/Forum Distribution (EE)   5 967   5 967
ES Paramount Spain 18/03/2016 177 440   177 440
FR Paramount Pictures (FR)   467 751   467 751
GB Paramount (GB) 18/03/2016 747 727   747 727
GE Central Partnership (GE)   1 779   1 779
GR UIP (GR)   22 534   22 534
HU UIP-Dunafilm 14/04/2016 31 981 2 31 983
IS Samfilm 01/04/2016 7 132   7 132
IT Universal (IT) 28/04/2016 31 533   31 533
LT Forum Cinemas / Paramount 01/04/2016 7 690   7 690
LV Forum Cinemas (LV) 08/04/2016 5 184   5 184
NL Universal Pictures Int (NL) 10/03/2016 83 941 42 83 983
NO UIP (NO) 11/03/2016 14 743   14 743
PL UIP (PL) 22/04/2016 89 015   89 015
PT NOS Lusomundo Audiovisuais (PT) 07/04/2016 32 339   32 339
RO Ro-Image 2000 08/04/2016 24 758   24 758
RU Central Partnership (RU) 31/03/2016 343 425   343 425
SE Paramount/UIP (SE) 30/03/2016 52 399   52 399
SK CinemaArt (SK) 07/04/2016 4 827 51 4 878
TR UIP (TR) 01/04/2016 38 105   38 105
Graph: Breakdown of admissions and penetration rate in the national markets of European Union

© European Audiovisual Observatory

The data base LUMIERE provides a systematic compilation of available data on admissions of the films released in European cinemas since 1996. The data base is the result of the collaboration between the European Audiovisual Observatory and the various specialised national sources as well as the MEDIA Programme of the European Union.