Film Information
 Hell or High Water (EN) [Original title]
| Directors : David Mackenzie | ||||||
| Producing or Co-producing country : US | |||||||
| Production year : 2016 |
Admissions
| Market | Distributor | Release date | 2016 | 2017 | 2018 | 2019 | Total since 2016 |
|---|---|---|---|---|---|---|---|
| AT | ParkCircus (AT) | 19/05/2017 | 207 | 207 | |||
| BE | The Searchers (BE) | 21/09/2016 | 26 509 | 475 | 26 984 | ||
| CH | Elite Film | 05/10/2016 | 22 027 | 1 394 | 181 | 23 602 | |
| CY | 392 | 392 | |||||
| DE | Paramount (DE) | 12/01/2017 | 62 100 | 481 | 208 | 62 789 | |
| DK | Scanbox Entertainment (DK) | 08/12/2016 | 6 436 | 2 659 | 9 095 | ||
| ES | Vertigo Films (ES) | 30/12/2016 | 9 273 | 170 237 | 73 | 179 583 | |
| FR | Wild Bunch Distribution | 249 264 | 249 264 | ||||
| GB | StudioCanal (GB) | 09/09/2016 | 238 157 | 917 | 239 074 | ||
| GR | Tanweer (GR) | 19/01/2017 | 18 980 | 18 980 | |||
| HR | Editus (HR) | 02/02/2017 | 3 658 | 3 658 | |||
| IS | Myndform | 22/08/2016 | 5 042 | 5 042 | |||
| MK | Fame Solutions (MK) | 103 | 103 | ||||
| NL | The Searchers (NL) | 20/10/2016 | 65 105 | 4 947 | 304 | 70 356 | |
| NO | Norsk Filmdistribusjon | 11/11/2016 | 5 508 | 204 | 5 712 | ||
| PL | Kino Swiat | 02/09/2016 | 12 096 | 2 297 | 14 393 | ||
| PT | NOS Lusomundo Audiovisuais (PT) | 08/12/2016 | 3 630 | 272 | 3 902 | ||
| RO | Ro-Image 2000 | 12/08/2016 | 14 638 | 91 | 14 729 | ||
| RU | Paradise | 18/08/2016 | 38 442 | 895 | 39 337 | ||
| SE | Scanbox Entertainment (SE) | 25/11/2016 | 5 860 | 5 860 | |||
| SI | Karantanija Cinemas | 22/12/2016 | 1 401 | 283 | 15 | 1 699 | |
| EUR EU | 632 369 | 267 515 | 858 | 223 | 900 965 | ||
| EUR OBS | 703 388 | 270 111 | 1 039 | 223 | 974 761 | ||
| US | Lionsgate (US) | 12/08/2016 | 3 127 247 | 3 127 247 |
© European Audiovisual Observatory
The data base LUMIERE provides a systematic compilation of available data on admissions of the films released in European cinemas since 1996. The data base is the result of the collaboration between the European Audiovisual Observatory and the various specialised national sources as well as the MEDIA Programme of the European Union.