Director(s):
Kathryn Bigelow
Producing country:
US
Production year:
2017
Total admissions:
EU 27+GB: 967 288
EUR OBS: 981 301
| Market | Distributor | Release date | Total since 2017 | 2017 | 2018 | 2019 | 2020 | 2021 | 2022 | 2023 | 2024 |
|---|---|---|---|---|---|---|---|---|---|---|---|
| AT | Concorde Filmverleih/Constantin Film | 24/11/2017 | 3 400 | 3 400 | |||||||
| BE | Entertainment One | 7 948 | 7 948 | ||||||||
| CH | Elite Film (CH) | 11/10/2017 | 12 925 | 12 142 | 718 | 18 | 1 | 46 | |||
| CY | - | 189 | 189 | ||||||||
| DE | Leonine Distribution | 23/11/2017 | 35 012 | 28 276 | 6 400 | 95 | 117 | 45 | 79 | ||
| DK | SF Bio | 24/07/2017 | 2 627 | 2 627 | |||||||
| ES | Aurum Producciones (ES) | 15/09/2017 | 162 322 | 159 302 | 2 948 | 72 | |||||
| FR | Mars Films | 11/10/2017 | 301 054 | 294 833 | 5 939 | 282 | |||||
| GB | Entertainment One | 25/08/2017 | 318 633 | 318 071 | 425 | 6 | 128 | 3 | |||
| GR | Odeon | 07/09/2017 | 5 647 | 5 647 | |||||||
| IE | Entertainment One | 25/08/2017 | 35 305 | 35 305 | |||||||
| IT | Eagle Pictures | 23/11/2017 | 53 866 | 44 120 | 9 058 | 688 | |||||
| LU | - | 506 | 506 | ||||||||
| NL | Entertainment One | 28/09/2017 | 33 269 | 33 072 | 197 | ||||||
| NO | SF Bio | 01/09/2017 | 1 088 | 1 088 | |||||||
| PT | NOS Lusomundo Audiovisuais | 14/09/2017 | 6 184 | 6 162 | 22 | ||||||
| SE | SF Bio | 08/09/2017 | 1 326 | 1 326 |
* Estimated admissions for the following markets: GB, GB_IE, IE
| Market | Title |
|---|---|
| AT,AU,CA,DE,ES,FI,FR,GB,HU,IE,IT,NL,NZ,PL,PT,RO,SE,TR,US | Detroit |
| AR,CL,MX | Detroit: Zona de conflicto |
| BG,RU,UA | Детройт |
| BR | Detroit em Rebelião |
| CA | Détroit |
| CO | Detroit: zona de conflicto |
| JP | デトロイト |
| LT | Detroitas |
| GR | Detroit: Μια οργισμένη πόλη |

